Romance structures literary life, and to be a reader is, often, to follow its choreography, from susceptibility and discovery (“I just saw it there in the bookstore!”) to infatuation, intimacy, identification, and obsession. We connect with books in an intellectual way, but the most valuable relationships we have with them are emotional; to say that you merely admire or respect a book is, on some level, to insult it. Feelings are so fundamental to literary life that it can be hard to imagine a way of relating to literature that doesn’t involve loving it. Without all those emotions, what would reading be?
. . . Some readers read because they want to know about the here and now. But, when a young person’s favorite book is “The Great Gatsby” or “Jane Eyre,” something else is going on. That sort of reader is, as Lynch puts it, “striving to bridge the distance between self and other and now and then.”
. . . One might imagine that e-books and the Web could deromanticize reading. But, far from being on the wane, it’s possible that our romantic relationship with literature is bleeding over into other parts of cultural life. The rise of TV and movie fandom, for example—with its generous affection turning, when it’s betrayed, into lavish scorn—seems to be an extension of our love affair with books. It’s a way of loving a canon in the present tense.
Joshua Rothman, Review of "Loving Literature: A Cultural History" by Deidre Shauna Lynch
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